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Lost e l’età anarchica

Gian Battista Vico postulated three stages of culture and civilization Western theocratic, aristocratic and democratic. The third phase would be followed by chaotic age (or anarchist), which would give rise to a new theocratic age.

Harold Bloom takes up this schematic to interpret the history of writing West. The whole cycle of writing is what he calls Western the Western canon . The Western Canon is properly nell’aspirazione di ciascuna opera a essere eccezione nel confrontarsi con la grandezza . Ci sono poi due tipi di opere canoniche ; il primo è costituito da quel tipo di opere che restano una singolarità che mai assimiliamo del tutto; il secondo è costituito da quelle opere delle cui idiosincrasie restiamo schiavi.

A nessuno fa piacere sentirsi dire to compete with Dante or Shakespeare, but probably it was this struggle for the size to push Joyce to write Finnegans Wake , who - along with Proust, Freud, Kafka and others - opened the anarchic age. There can be no canonical writing without a conditioning difficult to digest and opposite to aspire to the exception. Tradition is not just something that is handed down, but also a conflict between past and future, between what is inherited and aspiration for survival, which is at stake is the inclusion in the Western canon. The lowest common denominator of the Western canon is the relationship with neurotic size, between myth and annihilation. After Dante and Shakespeare, there are hardly any figures that are freed from the anxiety of greatness, because greatness recognizes greatness, and it is foggy.

Personally, I conceive Lost as a phenomenon not only television, but writing. Whether or not elitist in this context I do not care. Neither interests me the relationship between science, philosophy and theology. I think part of the Western canon in its anarchic stage. As the Finnegans Wake Joyce, Lost removable use and makes a serio-comic cycle which itself is part. It is a sign of the banality of television and the pseudo-web which is inevitably placed. The creators of Lost have not chosen their precursors, have been selected. They had the intelligence to consider, however, with-places, and then dismantled.

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SUB LOST: the show only real when shared…

Lost is an innovative in so many ways.

One of the most significant is bound to its multiple possibilities of use. Just to be the major: live / delayed / replication TV (not satellite), in streaming, file version video available in many different ways from the network (but mostly via p2p or file-sharing) .

The same time of "vision / sync" of viewers of various platforms with the plot are also an aspect to be exhausted all (dedicated to those who "spoiler" I was looking for some five years ago just as aerodynamic ...).

I would rather dwell on another interesting question: "Lost in the pot" should be served in original language with subtitles or dubbed? Matter of taste and ability to accessus , I say! Yeah, okay, but what about the subtitles that have reached their peak with more than a poetic farewell, more or less citations (the last "We ... No man is an island ..." seems to move between John Donne and Thomas Merton) in different end of the season?

Moreover also the subtitle, across platforms, is subject to a variety of forms (literal, summary, or less subject to one or more revisions).

thanking publicly the various TEAM di indomiti e “squattrinati” traduttori che hanno permesso in tempi record a milioni di spettatori di rimanere in pari con la Serie, mi chiedo quale valore (aggiunto) abbia avuto per molti di noi non avvezzi alla recitazione in lingua originale (anche per chi padroneggia “l’anglosassone”) seguire in tal modo la Serie.

La fruizione di Lost mi sembra confermarsi, sotto tale aspetto, realmente cooperativa, integrando anche con questo originale e imperdibile apporto dei "sottotitolatori" (che ci hanno regalato ulteriori emozioni con nick-names che più “pop” non si può) l’idea già medievale che un’opera appartiene to a community: Lost heritage and contribution of all, down to the last but not insignificant ways.

As in a great casting , everyone ends to get your small part

... [...] ABOUT THAT NO MAN IS AN ISLAND, BUT WE ALL TOGETHER FOR THIS FANTASTIC VOYAGE, we were. THANK YOU. AND FOR THE LAST TIME ... (While the eyes of Jack dying closes) LOST.

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Il canone occidentale

Harold Bloom, the most loved and hated historical, theoretical and critical literature of the late twentieth century, the most influential and discussed versed in Western culture still alive, often accused of snobbery , jew New York - but to be more fashionable would have preferred to be born "Eskimo woman" - in his most important book, which I barbarously stolen the title of my post, argues that the Western cultural production exists, on this side and beyond the differences , a red thread, a common thread. This thread runs, essentially, Dante-axis Joyce reaches its climax in Shakespeare, and is trying to express, through a ' opera creativa , l’intera conoscenza umana dell’epoca e la relativa visione del mondo. Almeno che io sappia, Bloom si è occupato di qualsiasi forma culturale, eccetto che di cinema e di televisione (magari qualche suo scritto a proposito ci sarà, ma io non lo conosco).

Slavoj Žižek, sloveno, fra i più influenti filosofi a livello globale, ha inaugurato, ai massimi livelli, la tendenza di far dialogare cultura altissima (Spinoza, Hegel, Marx) con quella che si è soliti definire cultura pop : film, television, even pornography. Is his famous book on Matrix (S. Žižek, Welcome to the desert of the real , Rome, 2002), where he sets out, among other many things, that the authors have been inspired by Lacan. E 'self-evident that the vast majority of viewers Matrix "boil" Žižek's claims as "inappropriate"; but for the simple fact that they do not understand a club philosophy and that he did not fuck him to make himself understood by them. Democracy, Žižek would say, is not talking and / or being understood by everyone, but have the freedom to choose their partners, even if only one.

Lost part, in my opinion, in the "Western Canon", has full facilities, the ambition-deception, typically Western, "syncretized" knowledge of time and its worldview. No matter if the thesis in theoretical physics and theology, according to the actual parameters are compatible with each other or not. What matters is the attempt of trying a mettere insieme il sapere in-attuale secondo una prospettiva escatologica (il che, poi, non significa altro, etimologicamente, che parlare delle cose ultime). Lost, ci sono ottime probabilità, secondo me, sarà una pietra miliare della cultura occidentale del XXI secolo, perché, come tutte le opere significative, fa i conti col tempo e col senso.

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Confession of a Lostaholic

Lostaholic lo son stata sin dall'inizio. E' stato un colpo di fulmine. Vista la prima puntata, ho capito che la passione sarebbe stata insana .
Nel tempo ho coltivato, quasi in modo maniacale, questo vizio . Ogni puntata forniva sempre quel qualcosa che andava ad alimentare quella voglia di sapere, scoprire, ipotizzare.

Io amavo Lost e Lost amava me . Alimentava, alzando anche parecchio la posta, la mia passione. Però, come spesso accade nelle storie di passione bruciante, arriva un momento in cui bisogna scrivere la parola "fine". Time to let go .
E Lost l'ha fatto.
Ed io mi sento come quelle fidanzate che, pur sapendo che la storia avrebbe avuto una fine, iniziano ad analizzare tutti i passaggi salienti della storia stessa. Begin to take stock and find that they intent to complain.

I confess ... ... I'm not celebrating ... Because you left ... you left me behind
Lost has moved on. But I have been left behind, leaving me back!

back wondering why I was let in that way.

back wondering why I was not wanted and could even give me time to understand, remember and finally move forward.

are left behind to wonder why Lost, paraphrasing the words of Desmond, has chosen the path of " I'm not here to hurt you, I'm here to help you ... to let go "

Sono rimasta indietro perchè non riesco ad accettare che " What's done is done "

Sono rimasta indietro a riflettere sulla famosa massima," If we can't live together, we're going to die alone. " E noi abbiamo vissuto insieme ...

Sono rimasta indietro perchè, proprio io e proprio alla fine, non riesco a dire " I believe you. I don't understand you, but I believe you ".

Sono rimasta indietro a rimuginare che " I didn't sign up for this "

Sono rimasta indietro a riflettere in merito a "...blindly following someone in the hopes that they'll lead you to whatever it is you're looking for"

Sono rimasta indietro a compatirmi per aver dimenticato che è sempre stato " ... a leap of faith"

Sono rimasta indietro a consolarmi ricordando che ... " You're not the only one who didn't find what they were looking for ".

Il pastore cristiano potrebbe dirmi " The problem is you're just not good at letting go ."

E' probabile, sono una Lostaholic ... la speranza è che ... " We're all convinced sooner or later " ...