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L'altra vita di Daniel Faraday

developed in the speech, I would like to add a counterweight indispensable suggeritomi largely by reading and comparing of ideas on the Italian forum of Lostpedia, where it was emphasized that a detailed was incredibly missed.

The light that fills the church was perhaps the opening of the doors so dazzling that they have done to lose sight of the possibility that someone in the scientific-rational side does not necessarily come blurred.

And here is the missing detail: exactly the time quoted (in the past) Schrödinger's cat may help to resolve any confusion of reason.

the previous speaker, I tried to describe the scenario that follows the non-explosion of the bomb - the scenario that led to the island as we have known. The Losties, arriving on site-Swan, have only contributed to the story they wanted to change.
No, not true: quantum physics allows you to believe this is the opposite of this. There, near a source of intense electromagnetic energy, it is possible to imagine that a single event occurs with two different outcomes. The bomb does not explode, the bomb explodes.

And then, just as he had thought at the beginning, the island sank into the opening view of the series, is simply the result of the explosion della bomba. Da lì, si è generata una realtà alternativa, speculare a quella che noi spettatori conosciamo (di qui i continui riflessi dei protagonisti nello specchio), ovvero identica e insieme diversa da essa: stessi personaggi, in alcuni casi stessi ruoli, in altri diversi; ciò che conta, è che quasi tutti i destini sono cambiati, qui le vite dei "nostri" sono quasi tutte giunte a una forma di conciliazione, di realizzazione, di pace interiore. Ciò che non cambia mai, è che i loro cammini sono sempre - per una combinazione di coincidenze incredibile - destinati a incrociarsi.

Dall'esperimento, sappiamo che la scatola di Schrödinger, se non viene aperta, in fact allows the coexistence of two different outcomes of the same event. And so, we who follow the internal point of view of the characters, we have seen the two realities unfolding in parallel, both real because both have the same "right to existence."

However, if the box is opened, this claim fails, and the relationship between the two actually going to be effective coexistence potential to another. In short, open the box, only one of two options will be visible to ' observation, the only criterion objectifying. Therefore, only one of the two will survive.

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nature objectifying eye of the viewer, by his own inclination, tends constantly to the edge of the opening of the box, when the same fire of the characters fits the state of things, there is no way to prevent opening. So Desmond, the man capable of exploiting the EM energy just to get in touch with another time or even another dimension, open your eyes (I think of the opening scenes of many episodes of Lost) and open, slowly, the box. Once you see what is going on feel the need to show them.

Faraday, himself, in the new reality musician all instinct and talent, taken from a moment of unconscious remembrance, is back for a moment the theoretical physicist who knew, he sees himself "not to belong to that reality," and repeats a pattern representative of this condition.

As long as there is no observation, both realities are equally real. So why the so-called ALT should be the one who will not, that will go down? Why Faraday believed to be out of place there, right where everyone - except the poor Sayid - have found what they were looking for? And all because, once opened his eyes and the box, once mentioned the 'other life, feel the need, if non il dovere, di "andarsene"?

Una spiegazione pseudorazionale: proprio l'autoconsapevolezza dei protagonisti dell'ALT, il loro essere gli "osservatori della scatola", li mette nella condizione di sentire la necessità di proseguire oltre, trovandosi in un paradosso esistenziale, o meglio trovandosi nella "prospettiva esterna" di osservatori.

Una spiegazione metanarrativa: un dovere "morale" verso la storia che abbiamo sempre seguito, alla quale ci siamo legati, alla quale sembrano incredibilmente più legati anche i personaggi dell'ALT, nel ricordarla, sebbene quella realtà, che è altrove, e nel ricordo, sia più dolorosa e difficile.

Probably, moves and even the memory of death and take over here, and necessarily so, perhaps even invasive, the mystical component. This plan is linked to the mystical science, a parallel reality is both an afterlife, at the bottom of the 'beyond , by definition, is not that a elsewhere.

vision / memory of another life, but also of death in that life, goes along with having to leave the parallel reality, and to go beyond just made a condition of memory, when what is before your eyes is so real, but is no longer relevant (and cuor) d'essere, visto che ragione e sentimento sono entrambi, in un battito, anzi in un'apertura d'occhi, volati in un'altra realtà, la realtà che noi spettatori abbiamo seguito per sei anni: quella dell' isola di Lost .

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La morte di Daniel Faraday

Mettendo da parte le discussioni emotive e tecniche sulla qualità del finale, non sarebbe poi così male provare a tornare sulla storia che abbiamo seguito per tanti anni. Alcune risposte che non sono state date, in fondo vengono da sé.

Con la scena trionfale della luce mistica che invade la stanza passando fra i due angioletti della chiesa, viene sancita, almeno in conclusione, the simultaneous submission of the Science, which, at the very end of the day, bowing to the Faith. How to say when it ends the life in this world, there also ends any explanation of the world itself.

On a conceptual level, this triumph also coincides with the defeat of Daniel Faraday: his death in the fifth set, on balance, also died on the scientific side of Lost. Since then, the talk about What Happened, Happened , the constants and variables, time travel, time four-dimensional, and also the next one (and only potential) on the parallel realities have all disappeared with their spokesman. Unfortunately, it's too late what the scientific value of the parameter [Variables] represented an existential level: the struggle of free will against the blind assertion of Destiny.

The fifth series of Lost seemed to show something: the Free Choice bows inevitability (of Destiny if you think this, of course-correction if you think about the future, even if it is able to pre- see it, if you think of What Happened in the past that you are trying to remodel), but there is a force that could give a decisive push to the human capacity to tackle the fate - this force would be love.
Love, which led to Jin and Sun to overcome countless obstacles, which allowed Charlie to overcome death before a pre-sacrifice for the woman he loved, which allowed Jack and Kate for their lives to each other several times, which led Faraday to study time travel, constants and variables, but, above all, in the end path has guided every act of Juliet, with constant changes of opinion and choice, until it is at the accident site, dragging the entire band, first and foremost our beloved James.

Love seemed the key to open the impenetrable lock consists of a story that had already done this and that, if it were changed, would have represented a total reset themselves in the lives of the architects of that change. E anche in questa fase era un uomo di fede a portare avanti la battaglia scientifica contro il destino: Jack, l’uomo razionale per eccellenza, credeva ora ciecamente nella possibilità di cambiare il passato, in nome di un supposed to immotivabile e che nulla aveva di razionale e scientifico.
In questo momento, scienza e fede dunque convergevano in modo magnifico in una lotta non più fra la mente razionale e quella emozionale, bensì nella lotta maestosa dell’uomo contro il Destino, anch’esso in grado di racchiudere insieme scienza e fede, laddove rappresentava sia una Forza Superiore trascendente, che il naturalissimo processo secondo il quale l’Universo vuole stabilire its strict rules to maintain its overall balance.

shots of Juliet on the bomb were the last moments of this sublime intersection of perspectives. But regarding the outcome of this decisive moment, it seemed impossible to find any solution, because any way it would create too many complications.

The next scene, the opening of the sixth series, was the Oceanic 815 plane flew over an island that sank. It seemed the fulfillment of the victory of faith, free will, love, science "possible" against the sinister principle of conservation of the Universe. But after a while, here they are all there again on the island, as usual, from where you started. Victory and defeat together? A tie between Love and Destiny?

So it has been thought to parallel realities, the Schrödinger's cat, on the extent justified by quantum physics, the existence of multiple worlds, and contemporary equivalent, but different. In many ways even mirror. Possibly arising from the same cause, with two divergent effects.
the end, however, this hypothetical perspective has been refuted.

So what remains? Remains the defeat of Daniel Faraday, because it all happened as had always happened, as it should. And the defeat of all: the rules of the Universe hanno prevalso sull’azione umana, sulla scelta umana, sull’amore umano. Lo spazio per la scelta, l’autoaffermazione, l’amore, è solo uno spaziotempo immaginario, o ultraterreno.

Ma allora – proviamo finalmente a ricostruire e ricollegare – cosa era successo veramente nella cornice di what happened ? Proprio ciò che di più lineare, coerente e autoconclusivo si potesse immaginare:
i viaggiatori del tempo, loro nel periodo Dharma c’erano sempre stati, nessuno era un intruso della storia, tutti, i time-skippers e pure gli Ajira-4 avevano contribuito alla storia che aveva preceduto la loro stessa nascita e aveva condotto al present context in which they were found after the crash island.
That is to say, the bomb had always been brought to the Swan station, she was always thrown into the pit, still unexploded, Juliet was always fell down, and our were always returned, with a final skip the re-establishment at the time they belonged to a Once completed the task and close the circle, in his mind, then, Juliet is dead, stammering "it Worked" because they already had visions of space imagery in which, after death, the characters will meet and remember.

Dharma and the island of time? Easy now reconnect the pieces: the bomb was on the bottom of the well, would stata utilizzata dagli scienziati della Dharma (Chang, e gli altri) per arginare la perdita. Come? Sarebbe stato cementificata l’area, e sarebbe stato costruito un sistema in grado di rilasciare piccole esplosioni dalla bomba a idrogeno, premendo un pulsante; si era calcolato che dopo 108 minuti senza alcun rilascio, l’incidente avrebbe riproposto i suoi effetti magnetici (infatti li vediamo sotto la Swan, negli anni 2000, uguali a come li vediamo esternamente alla stazione in fase di costruzione, negli anni '70), dunque era quello l'intervallo di tempo limite per la pressione; quando poi John Locke decide di non premere più il bottone, l’incidente riprende forma, e tutto sta per essere risucchiato nella falla, proprio come nell'episodio The Incident . Ma la Dharma ha costruito anche un sistema d’emergenza, la chiave fail-safe , che con ogni probabilità aziona la bomba in modo completo, lasciandola esplodere. Di conseguenza, l’interazione fra esplosione (controllata e canalizzata) e perdita di energia elettromagnetica genera un’implosione fortissima, che è quella che causa il colore violaceo del cielo e la distruzione della stazione Swan.

Ed ecco che l’incidente è definitivamente arginato. Ci si potrebbe chiedere: perché la Dharma non ha fatto esplodere la bomba? Per il timore, forse, di una conseguenza disastrosa. Il sistema failsafe sarebbe stata una misura estrema, per evitare una certain tragedy.

Maybe then something back, and back perfectly. In some cases there are explicit responses for an explanation. Yet, the struggle sublime Jack, Faraday and Juliet brought forward, it is a shame seeing it disappear like that.

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Note di orientamento

Without the presumption of a plot summary or to offer a unique key to reading about the first reactions to the final, I feel rather the need (as the father of Miles, the nice doctor from many names in movies Dharma) Lost to thank you for oriented my life as a spectator in those six seasons. Thanks to Lost I learned how to interleave my more or less low-literary backgrounds, forfeited a player in my short life, knowledge of common friends of the first and last time, in a knowledge building community that knows a lot of medieval and modern at the same time.

Then, unable to appear in the film, I will report what the consensus seemed to emerge in the comments from audiences more or less prestigious, all still worth visiting, and more or less applauded.

An end in one way or another, was written and also the double dismissal of "The End" has confirmed that this TV series has changed the rules and procedures storytelling show.

size cooperative observers careful - as the authoritative work on this blog confirm that - we have tried, at the same time to audiences around the globe to draw responses from the island, creating theories, looking away now of faith, now the way of science (now the way the spoiler), but we are still here to discuss ...

maieutics The Lost: informed choice or last resort? thorny knot that I did not presume to dissolve or cut, the fact remains that Lost is probably finished as it had to end, or in an open and tutto sommato non ambiguo, confermando la tendenza a farci prima di tutto ragionare su quanto abbiamo visto, sposando l'indole di telefilm che crede primariamente al porre domande e al trasmettere suggestioni/emozioni, sfidando un destino che conduce tanto alla gloria di lodi sperticate quanto all'infamia da parte di chi alla fine non vede tornare tutti i conti (e non sa nemmeno sorridere all'idea che possa essere tutto un sogno di Vincent...).

Lostmania Comunque sia andata ... è Lostmania! A tal proposito, riferendomi all'omonimo sito web che mi permetto pubblicamente di ringraziare per l'ottimo lavoro svolto, ne traggo alcune annotazioni che hanno creato tale febbre, annotazioni: circa i legami che le persone hanno creato e che rimarranno eterni e per sempre; circa l'Isola quale luogo di conoscenza di se stessi e degli altri (!); circa i bei momenti di “epifania” di personaggi che nella "realtà alternativa" ritrovano tutte le loro connessioni, tutte molto emozionanti; circa la crescita e la sostanziale redenzione che vivono i protagonisti. Ma come per ogni cult di rispetto le domande inevase rimangono tante, con la storia (intesa come intreccio) che sembra essere stata messa sempre più da parte, finendo con l'apparire addirittura colpevolmente lacunosa, per puntare invece, come in un grande gioco di ruolo (il gioco molto più bello pubblicizzato da Locke?), sui personaggi e sulle loro relazioni e legami.

Il sacrificio finale Da Twin Peaks a Lost l'immolarsi per il bene degli altri, azione dai riflessi prettamente cristologici, sembra essere diventato un marchio di fabbrica. Del resto tutti i racconti che più o meno filosoficamente come il Vangelo (si badi, ci sono sia i sinottici sia il più filosofico Giovanni nel quale - lo ricorda Aldo Grasso sul Corriere citando Gv 18,14 – si sostiene che “è meglio che un uomo solo muoia per il popolo” ) ricercano una chiave di lettura assoluta sulla vita e sulla morte finiscono quasi inevitabilmente to travel this sacrifice. The finish seems to do so deliberately take the road instead of the theosophical-apocalyptic paradise. Emotions, memories of life and death are shining in our eyes as in those of the characters we have come to know and love along the series. From the friendly church open to the Light, "our heroes and we salute you salute nell'Oltre to project, but also a bit 'as do the actors at the end of a show, hoping to pick up the applause, as the' Island, before joining with the sacrifice of the Shepherd Jack intermediation and many others, they had severely challenged. And with a masterful coup de theater here che addirittura il tempo e forse anche lo spazio vengono annullati.

Ancora incredulo, confesso che è stato il mio personaggio preferito, Desmond, il primo che dal profondo della botola, spinto dall'amore per Penny, mi ha fatto sperare in un finale così luminoso.

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worked (?)

Onorato dalla presenza di cari e stimati compagni di viaggio dentro Lost in occasione della visione, rigorosamente collettiva, della doppia puntata finale, è ben presto scattata in me una domanda, che oltretutto ricalca una delle battute più gettonate dai nostri eroi negli ultimi tempi: "Ha funzionato" question mark (?).
Almost inevitably, a victim in these days of fever a few lines of the epidemic but also triggered by six seasons of Lost, I can move on several levels of response!

Yes, it worked!
Even the spectators, like the protagonists in the end, we (re) found in a large hall to experience the final act of a collective hallucination essentially the same time as that of many other global audience, with thrilling riassaporando, almost sucking the marrow of the Serie .

NO, did not work!
Responses promises or simply expectations are certainly not arrived and, in hindsight, the real Losties us viewers, lost in a maze of bewildering and ever other series as it unfolds, that series ended up scraping the bottom of the barrel ... shaft and the island! What novel Fantozzi, we eternity sentenced to reshoot the scenes we destroyed mothers of this ... boiata crazy!

MAYBE ... the finale did not disappoint the sense of journey and on the one hand it embodied a desire, not so hidden, to make sense of fullness and authenticity at the time of our lives, it also tried to dispel that sense of nihilistic death, which - I think I can say - we are a Christian (capital C, or thanks to the intercession of Christian Shepard) returned in Lost as the gift of a higher consciousness: even if the spectators, the attribution of meaning / Meaning there are those who realize ( "But we are real, Dad? ") before, long after those who have little or nothing.
MAYBE ... we have seen the eschatological moment (the final revelation) of this debate (see previous post lively fortunately) EPOS Lostia, one in which comes the long awaited clarification (the light of the Beyond the open door) with the Father (topical meeting told the Bible is a Star Wars parva Licet dial Magnis ).

FINALLY, we measured - and almost squeezed dare I add - with a series of narrative structure particularly impressive (you can read in this sense, the post of Virginia on the potential literature), through which the island is painted ( "Picture a large large box ) as a place (dystopian rather than utopian), where anything can happen, but primarily as a bridge, ferry, Limbo, a place of transition in short, to her death, the rediscovery of its own (antichissime! esoteric?) roots.
There is, in my humble opinion, the necessity or as it were a moral obligation to "deal" with one's true identity, it is monstrous or angelic. Perhaps all of us
We are always scrutinized, as Jack, by Jacob duty, as if he is a member of the Dharma in anticipation of change.
Perhaps the only way the life of the Island off type (regardless of its very weak, mutevolissime and multiple time-space coordinates) can synchronize with all the (primal, innate, fatal?) Arising from Love that dwells only in type posts on Island, to allow everyone to live, and / or dead, its passage, as an overrun of its sea and its horizon, soothing vocals and finally whispers.

The initial opening and final closing, after six long and memorable seasons, the eye of the Shepherd Jack mi ha recapitato dall'Isola questo personalissimo message in a bottle : il GRANDE LOOP ( The Circle , narrativamente e metanarrativamente parlando: battute, ruoli, personaggi, alchimie dharmiche e non, il tutto nel segno dell'intercambiabilità) che sembra caratterizzare questo posto così speciale va PROTETTO in ogni modo e il tappo eventualmente sturato va prontamente riposizionato, altrimenti il cerchio non si chiude e la Morte non porta ad una nuova Nascita, ma solo ad un triste e forse scontato bilancio, che ci rendiconta quanto l'Uomo arrivi, distrugga, combatta per poi congedarsi sempre nello stesso mo(n)do.
Con un po' di gusto per la suggestione, l'Uomo is called, in this tragic modernity, to rediscover its mission as guardian of Life, Pastor ... a Shepard !

SAVE TO BELIEVE is just a good slogan to fill the postscript of my last postcard from the island increasingly delusional and sweeten the bitter taste left by the absence of sympathetic Portuguese ... this time, only wreckage on the beach!

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Curiosity killed the cat!

Hackers Shippo for our favorite pair of authors!

joke aside ... was launched a security alert. It seems that several web pages, containing, in theory juicy expectations regarding the grand finale, are actually mirror pages. So, while you are looking for information about "The End", you can catch a good malware!

E 'obvious (or maybe not ?? ) that the fraudulent intent has nothing to do with Lost, but ... it is curious that the Web has become their "The Punisher". An anti-hero in defense of the work of the Cat and the Fox!

The leak, in any field, there has always been and always will be. Thus, despite repeated calls to refrain from spoilers wild ( spoiler follows, however, le regole di domanda ed offerta ), alcune anticipazioni son state divulgate.

Lostpedia - onde evitare che qualche buontempone infilasse, in alcune pagine, qualche spoiler - ha inibito il processo di editing agli utenti che si son registrati dopo una determinata data.

I giornali ed i siti d'informazione sono stati molto attenti nel riportare la notizia riguardante le famose pagine pubblicate da Macchianera ( in passato non è sempre stato così. Quindi si è immolato mio marito. Ha letto prima lui l'articolo apparso sul Corriere. Dopo il via libera - luce verde: è spoiler free - ho letto anch'io!)

confess that once I read the spoiler.

When rumors began to turn on the death of some important personage . Regularly, in the cases in the various forums, was given up my beloved Sawyer. And if that were the case ... I had to be prepared! ( guys, it's nice to analyze, discuss, hypothesize, but frankly ... the eye wants its part! eh eh eh)

The death of the son Mr.Friendly me burned in this way.

Or, in a period of suspicion ( was a fine needle am) I read an article Blog Darkufo. I did not think that in August could turn megagalattico spoiler and especially I never imagined that he could get from Ms. Dos Santos! Instead I was wrong. I am so burned the surprise of the dead in the coffin! In August, of course I had not given weight to the thing but when strange rumors began to turn on the identity of the deceased in the coffin ... I began to rethink this absurd article " want to see that Locke is really dead?". Bingo! Another surprise burned!

Not to mention the friends " mouthed frog" and also avid hunters spoiler. A scary combination! We must avoid like the plague. Sono quelli che parlando del tempo, come un fulmine a ciel sereno, ti infilano una frase bastarda " ahh, lo sai che il morto nella bara è Locke? " (questa la sapevo già, per fortuna!)

Ma ... cercare spoiler riguardanti il GRAN FINALE, a pochi giorni dal GRAN FINALE ... è da veri stupidi!

Curiosity killed the cat e, in questo caso, credo nessuno possa dire satisfaction brought it back !!!

Models Posing Pidgeon Toed

be fair with Lost

Alla fine di un' Opera , be it a life or just over half a decade, it is inevitable to come to terms, once it is metabolised in the language, it is also easier to look at it with a certain detachment, understand their strengths and weaknesses.

I remember as a college student with a passion I listened to the debates among people of a generation or two older than me, which once had been the faithful followers of Freud and Marx and that between the late eighties and early nineties, they felt, in one way or another, the crisis of those thought patterns. Usually, the most vocal detractors there were those who first had been the strongest supporters. In retrospect, it is clear that Freud and Marx have said a bunch of crap, but it is equally true that they have shown a way. Although today almost no one is declared pure Freudian or Marxist, each of us continues to deal with the unconscious (with thoughts and emotions are not aware, themed) and with the desire for a more egalitarian society.

The point, in my opinion, is that when you write, when you do a work, it is difficult if not impossible, to be consistent .

Hawking, perhaps the most influential living physicist, who spent most of his life thinking about and describe a universe without God, he had to reintroduce last the philosophical and theological concept of eternity, as if to say: "Physics provides the data, philosophy and theology seek the meaning." This does not mean that Hawking has sometimes acknowledged the existence of God but is a sign that, at some point, his research on the fate of the universe - in part carried out with Roger Penrose - have come into short circuit: the daughter Uprising (physics) asks aiuto ai genitori (filosofia e teologia).

Hegel, forse il più grande filosofo dell'Ottocento, è incoerente se si confrontano la Fenomenologia dello Spirito e il sistema della Logica . La prima è orientata verso la differenza , il secondo verso l' identità . Non per questo Hegel smette di esercitare il suo effetto sul pensiero contemporaneo.

Heidegger, forse il più grande filosofo del Novecento, inizia la sua opera sulla falsariga del maestro Husserl, seguendo cioè l'idea di una filosofia come scienza oggettiva, per finirla sulle orme di Meister Eckhart. Wittgenstein, allo stesso modo, probabilmente il più grande logico del XX secolo, non è esente da approdi mistici.

Agostino, ultimo grande filosofo e teologo dell'antichità, inizia sotto la bandiera del neoplatonismo, per finire con l'essere il primo vero dogmatico della Chiesa (a proposito, anche Papa Ratzinger dice una cosa a Roma e poi praticamente il contrario a Parigi!).

Gli esempi si potrebbero riprodurre all'infinito nelle più svariate materie. Voglio dire: non è giusto valutare-giudicare un'opera dalla sua coerenza interna. E se questo vale per le grandi opere, vale a maggior ragione per le piccole. Sia chiaro che il mio ragionamento crollerebbe subito se si trattasse di un film, dove la coerenza narrativa è la prima cosa da guardare.

Lost ci ha abituato alla grandezza di FBYE, alla costante e alla variabile, al sogno di tornare indietro nel tempo e di cambiare le nostre scelte e quelle dell'umanità. Ci ha insegnato che è possibile stare comodamente in poltrona e guardare scorrere immagini che richiamano simultaneamente temi profondi del pensiero occidentale e orientale. Ci ha insegnato, soprattutto, a pensare il cinema e la televisione in maniera più complessa. Prima di Lost c'erano film o telefilm storici, drammatici, comici, filosofici, scientifici, fantascientifici, gialli, avventurosi, sociologici, politici etc., adesso sappiamo che tutto questo - che finora era distinto - è realizzabile in un unico prodotto.

Lost has changed the rules.

Lost, al di là degli errori e delle incoerenze, ha cambiato le regole del gioco.

How To Hem Scrub Pants

Seven Against Thebes

a fratricidal war. That 's what we are seeing - better, by participating - on both sides beyond the screen, during these episodes of Lost. It is no coincidence that just at Across the sea and exploded DefInt the controversy that has seen addressed, in tones more and more heated, the supporters and his detractors Lost more or less the last hour, on the sixth and last season.

Just as two brothers face no holds barred, for sense to give to that island that they were born, so the community sees Lost take a fatal turn to the debate between those who believe the series is a masterpiece - and that remains, even in a season like this enigmatic - and who, perhaps after years of devotion, he feels teased and do not hesitate to vent their frustration, including attacks on those with whom he has traveled fraternally the journey to here.

Lost was always visible at several levels, even the most adventurous simply, without requiring a specific background to enjoy the invoice and the ability to charm. Now, perhaps as never before in this episode can happen to think that to understand it better - and not dismiss it as una narrazione banale e kitsch - occorresse una formazione classica. Perché Across the sea è un cristallino esemplare di tragedia , in senso classico. C'è tanto Eschilo, per dire: ai più avveduti è venuta in mente la storia di Eteocle e Polinice, figli di Edipo, ma in generale è la miglior manifestazione televisiva dello spirito tragico - con tutto quanto di matricida, fratricida, filicida esso comporta, con tutta la ricerca di senso, continua, frustrata e infine disperata, che esso rappresenta.

Comodo sarebbe liquidare il disappunto dei detrattori come un caso di uva irraggiungibile dalla volpe , e quindi dichiarata acerba. D'altra parte, hanno buon gioco i detrattori reluctant to identify with the mother, if not a liar, the same authors of Lost. One might respond to those who believe that the narrative has taken the fold of 'American , perhaps in Rome, a couple of millennia ago, there were those who boil the tragedies like the usual stuff of Greek , or that those what we believe to stereotypes are archetypes. Not everyone, after all, have the ability or inclination to exercise keatsiana negative capability, and therefore it should be acknowledged as legitimate discouragement.

But everything would be in vain, because now - like any self-respecting tragedy - the fall events: the community is sfalda, perde i pezzi senza che chi la anima possa nulla rispetto a questa accelerazione, rispetto alla polarizzazione ed esasperazione delle posizioni. Che forse sono il più grande successo metanarrativo di quest'opera, che ha saputo descrivere sempre in anticipo, attraverso i propri personaggi, l'effetto che avrebbe avuto sul proprio pubblico. In altre parole, questa conclusione di Lost è triste e dolorosa, non solo per le vicende messe in scena, ma anche per ciò che hanno scatenato al di qua della quarta parete. E nulla possiamo: non ci resta che accettare - tragicamente - questo destino.

Flaky Skin On Greyhound

History repeating

The word is about, there's Evolving something, whatever
May Come, The World Keeps revolving ...

Some is good, Some
is bad and the joke is sad Rather,

That's All Just A Little Bit of History Repeating

and I've seen it before and I
'll see it again yes I've seen it before

just little bits of history repeating

Last night I saw the repeat history through certain combinations.

We start from the cages.

again imprisoned. Sawyer manages to steal a gun, but you take Kate ( Widmore, in this combination, took Juliet's place ). Someone may die and need to make a choice ... It manages to escape from the cages in both combinations, thanks to Jack.

The submarine, Locke, Jack and C4.

Even in this combination history repeats itself. It's up to Jack always find the damn union Locke C4. The submarine was never and will never escape. Not ours.

try to flee the island and someone is shot in the left shoulder.

In the previous combination was touched Sawyer ( hit by Tom, a Other), now it's up to Kate ( by a man Widmore, former head Other ).

Three minutes.

It 's the time allowed to take, once again, a decision that turns out to be wrong.

The dilemma of the bomb.

Jack, for the second time, asked Sawyer to trust. But Sawyer, mindful of the first explosion, he can not trust ... and so, unwittingly, becomes himself because of what he blamed Jack: the death of loved ones. The combination was repeated. In the previous Jack thought of escape and rescue his friends (using Jughead), and in this plan to save Sawyer and save his friends (trying to defuse the bomb).

A bomb, a situation under water and someone who sacrifices himself.
Previously, the sacrifice was allotted to Charlie and is now the turn of Sayid. But Sayid was already long dead, was dead inside. Sayid, like Michael above, knowing the past of being on the wrong side of the fence ... decides to blow himself up so that others may be saved.

The heartbreaking farewell between two people bound by love.
Desmond and Charlie, bound together by friendship. Jin and Sun, linked by a deep love. We have seen their hands - no life - to float ... as we have seen floating - dead-Charlie.

Jin and a bomb.
It was saved by the explosion on the Kahana. Someone repeats to leave but ... Jin, however, this time not going anywhere. Jin, in this combination, decide di morire insieme all'amata moglie. Anche in questo caso si sarebbe potuto salvare. Ma questa scelta avrebbe significato rivivere la perdita dell'amata moglie. Il destino di Sun, comunque, era segnato. Lo aveva detto Charlotte, ricordate? Disse a Jin " Don't let them bring her back , this place is death" . Charlotte aveva visto il futuro? Quindi il Kwon, candidato, da proteggere era Jin in quanto il destino di Sun era segnato?

Ci sarebbe tanto altro da dire, tante altre combinazioni da analizzare ( ad esempio Locke e Jack flashsideways ) ma ... questo episodio mortale mi ha confusa ... è l'isola che ha finito con loro oppure sono loro ad aver finished with the island? And most importantly, what can I expect to revise ?