Saturday, May 29, 2010

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L'altra vita di Daniel Faraday

developed in the speech, I would like to add a counterweight indispensable suggeritomi largely by reading and comparing of ideas on the Italian forum of Lostpedia, where it was emphasized that a detailed was incredibly missed.

The light that fills the church was perhaps the opening of the doors so dazzling that they have done to lose sight of the possibility that someone in the scientific-rational side does not necessarily come blurred.

And here is the missing detail: exactly the time quoted (in the past) Schrödinger's cat may help to resolve any confusion of reason.

the previous speaker, I tried to describe the scenario that follows the non-explosion of the bomb - the scenario that led to the island as we have known. The Losties, arriving on site-Swan, have only contributed to the story they wanted to change.
No, not true: quantum physics allows you to believe this is the opposite of this. There, near a source of intense electromagnetic energy, it is possible to imagine that a single event occurs with two different outcomes. The bomb does not explode, the bomb explodes.

And then, just as he had thought at the beginning, the island sank into the opening view of the series, is simply the result of the explosion della bomba. Da lì, si è generata una realtà alternativa, speculare a quella che noi spettatori conosciamo (di qui i continui riflessi dei protagonisti nello specchio), ovvero identica e insieme diversa da essa: stessi personaggi, in alcuni casi stessi ruoli, in altri diversi; ciò che conta, è che quasi tutti i destini sono cambiati, qui le vite dei "nostri" sono quasi tutte giunte a una forma di conciliazione, di realizzazione, di pace interiore. Ciò che non cambia mai, è che i loro cammini sono sempre - per una combinazione di coincidenze incredibile - destinati a incrociarsi.

Dall'esperimento, sappiamo che la scatola di Schrödinger, se non viene aperta, in fact allows the coexistence of two different outcomes of the same event. And so, we who follow the internal point of view of the characters, we have seen the two realities unfolding in parallel, both real because both have the same "right to existence."
However, if the box is opened, this claim fails, and the relationship between the two actually going to be effective coexistence potential to another. In short, open the box, only one of two options will be visible to ' observation, the only criterion objectifying. Therefore, only one of the two will survive.

If you already
nature objectifying eye of the viewer, by his own inclination, tends constantly to the edge of the opening of the box, when the same fire of the characters fits the state of things, there is no way to prevent opening. So Desmond, the man capable of exploiting the EM energy just to get in touch with another time or even another dimension, open your eyes (I think of the opening scenes of many episodes of Lost) and open, slowly, the box. Once you see what is going on feel the need to show them.
Faraday, himself, in the new reality musician all instinct and talent, taken from a moment of unconscious remembrance, is back for a moment the theoretical physicist who knew, he sees himself "not to belong to that reality," and repeats a pattern representative of this condition.
As long as there is no observation, both realities are equally real. So why the so-called ALT should be the one who will not, that will go down? Why Faraday believed to be out of place there, right where everyone - except the poor Sayid - have found what they were looking for? And all because, once opened his eyes and the box, once mentioned the 'other life, feel the need, if non il dovere, di "andarsene"?
Una spiegazione pseudorazionale: proprio l'autoconsapevolezza dei protagonisti dell'ALT, il loro essere gli "osservatori della scatola", li mette nella condizione di sentire la necessità di proseguire oltre, trovandosi in un paradosso esistenziale, o meglio trovandosi nella "prospettiva esterna" di osservatori.
Una spiegazione metanarrativa: un dovere "morale" verso la storia che abbiamo sempre seguito, alla quale ci siamo legati, alla quale sembrano incredibilmente più legati anche i personaggi dell'ALT, nel ricordarla, sebbene quella realtà, che è altrove, e nel ricordo, sia più dolorosa e difficile.
Probably, moves and even the memory of death and take over here, and necessarily so, perhaps even invasive, the mystical component. This plan is linked to the mystical science, a parallel reality is both an afterlife, at the bottom of the 'beyond , by definition, is not that a elsewhere.
vision / memory of another life, but also of death in that life, goes along with having to leave the parallel reality, and to go beyond just made a condition of memory, when what is before your eyes is so real, but is no longer relevant (and cuor) d'essere, visto che ragione e sentimento sono entrambi, in un battito, anzi in un'apertura d'occhi, volati in un'altra realtà, la realtà che noi spettatori abbiamo seguito per sei anni: quella dell' isola di Lost .

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