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But ... they'll meet again. And so we come to
Nations, in his speech on The Fuselage, said, "Both the date contains a clue and an error . The thing was patched up and was suggested that the error relates to the month and that the clue was referring to a year. In light of what happened: I think the clue was the error relates to the month and year. I therefore believe that the revelations made by the diabolical duo , were designed to sidetrack us die-hard fans, those who do not miss the smallest detail!
month would lead us to conclude that the flight was not the same. It was more. So think a qualcosa di anomalo. Altro indizio la cicatrice di Jack ( in altra sede, ad esempio, sia io che brunella avevamo sollevato qualche dubbio in merito alla "nuova" cicatrice di Jack. Brunella giustamente aveva fatto notare che risultava alquanto strano che un uomo, quarantenne, non si ricordasse di avere una cicatrice. Eppure nudo si sarà visto! Io avevo sollevato il dubbio in merito al colore. Troppo rosata, troppo visibile per essere una cicatrice di 30 anni e passa prima! ) Oppure la stramba richiesta di Claire, accolta dal Dr. Goodspeed ( Ethan non quello di The Rock! eh eh eh ), di rimandare il parto ( a travaglio iniziato e praticamente quasi a termine gravidanza !)
L'anno, and here probably lies the error, it should not be displayed. Just not to give a final temporal events sideways.
We know that there is "now".
Back at the time of the birth of Aaron. In the economy of the facts about this day (November 1) we have forgotten that the event (birth of Aaron ) is linked to another significant event (the death of Boone ).
Death and birth. On the island, November 1, ended one life and another begins.
And that's why the time to meet and remember, is the birthday of Aaron. Leaving a life ( the sideway ) go forward and begin a new ( that beyond the light )
Why that day, then symbolize the so-called Circle of Life .
It's the Circle of Life
And it moves us all
Through despair and hope
Through faith and love
Till We Find Our Place
On the path unwinding
In the Circle
The Circle of Life
Finally if we add the date October 22, just over a week ... just come right on 1 November.
Gian Battista Vico postulated three stages of culture and civilization Western theocratic, aristocratic and democratic. The third phase would be followed by chaotic age (or anarchist), which would give rise to a new theocratic age.
Harold Bloom takes up this schematic to interpret the history of writing West. The whole cycle of writing is what he calls Western the Western canon . The Western Canon is properly nell’aspirazione di ciascuna opera a essere eccezione nel confrontarsi con la grandezza . Ci sono poi due tipi di opere canoniche ; il primo è costituito da quel tipo di opere che restano una singolarità che mai assimiliamo del tutto; il secondo è costituito da quelle opere delle cui idiosincrasie restiamo schiavi.
A nessuno fa piacere sentirsi dire to compete with Dante or Shakespeare, but probably it was this struggle for the size to push Joyce to write Finnegans Wake , who - along with Proust, Freud, Kafka and others - opened the anarchic age. There can be no canonical writing without a conditioning difficult to digest and opposite to aspire to the exception. Tradition is not just something that is handed down, but also a conflict between past and future, between what is inherited and aspiration for survival, which is at stake is the inclusion in the Western canon. The lowest common denominator of the Western canon is the relationship with neurotic size, between myth and annihilation. After Dante and Shakespeare, there are hardly any figures that are freed from the anxiety of greatness, because greatness recognizes greatness, and it is foggy.
Personally, I conceive Lost as a phenomenon not only television, but writing. Whether or not elitist in this context I do not care. Neither interests me the relationship between science, philosophy and theology. I think part of the Western canon in its anarchic stage. As the Finnegans Wake Joyce, Lost removable use and makes a serio-comic cycle which itself is part. It is a sign of the banality of television and the pseudo-web which is inevitably placed. The creators of Lost have not chosen their precursors, have been selected. They had the intelligence to consider, however, with-places, and then dismantled.
Lost is an innovative in so many ways. One of the most significant is bound to its multiple possibilities of use. Just to be the major: live / delayed / replication TV (not satellite), in streaming, file version video available in many different ways from the network (but mostly via p2p or file-sharing) .
The same time of "vision / sync" of viewers of various platforms with the plot are also an aspect to be exhausted all (dedicated to those who "spoiler" I was looking for some five years ago just as aerodynamic ...).
I would rather dwell on another interesting question: "Lost in the pot" should be served in original language with subtitles or dubbed? Matter of taste and ability to accessus , I say! Yeah, okay, but what about the subtitles that have reached their peak with more than a poetic farewell, more or less citations (the last "We ... No man is an island ..." seems to move between John Donne and Thomas Merton) in different end of the season?
Moreover also the subtitle, across platforms, is subject to a variety of forms (literal, summary, or less subject to one or more revisions).
thanking publicly the various TEAM di indomiti e “squattrinati” traduttori che hanno permesso in tempi record a milioni di spettatori di rimanere in pari con la Serie, mi chiedo quale valore (aggiunto) abbia avuto per molti di noi non avvezzi alla recitazione in lingua originale (anche per chi padroneggia “l’anglosassone”) seguire in tal modo la Serie.
La fruizione di Lost mi sembra confermarsi, sotto tale aspetto, realmente cooperativa, integrando anche con questo originale e imperdibile apporto dei "sottotitolatori" (che ci hanno regalato ulteriori emozioni con nick-names che più “pop” non si può) l’idea già medievale che un’opera appartiene to a community: Lost heritage and contribution of all, down to the last but not insignificant ways.
As in a great casting , everyone ends to get your small part
... [...] ABOUT THAT NO MAN IS AN ISLAND, BUT WE ALL TOGETHER FOR THIS FANTASTIC VOYAGE, we were. THANK YOU. AND FOR THE LAST TIME ... (While the eyes of Jack dying closes) LOST.
